In conversation with Chinese designer Francois Yang from Shanghai.
Q _ Questions by Marianne Meijer
A _ Answers by Francois Yang
ʻHello Francois, its nice to meet you, my name is Marianne Meijer and Iʼm a Dutch product design student from the Netherlands. I want to thank you for your time to speak with me about some questions I have. I’m working now in a summerschool / intern project for 5 weeks in China to contribute to the project Re:Wire, a project in Shanghai with studio BoomWehmeyer. It is the first time I am in China and have encountered a lot of information, sights and people.
The last 4 weeks I have done a lot of fieldwork on different topics in Shanghai to get a good understanding of what it can mean for me to be outside my work and living context. Also to see how I can learn and transform this into my own design perspective and Wire my own perspective. I liked to talk with you so I could have a conversation with a Chinese designer and have get a few of my many questions answered by a local designer. Thank you for your time.ʼ
Q _ ‘You are educated as a product designer and now living and working in Shanghai doing a lot of different work. You worked in China but also in Europe. With all your experience until now what could you say you learned from the Chinese Design education? What are the most important elements you have been taught?ʼ
A _ ʻI donʼt know how you judge learning from your Dutch education. I feel I did not learn a lot, it is hard. Lets say it like this, I spend 5 years in Tongji university in Shanghai. My course was 5 years, it covers the first years with architecture, interior design, product and visual communication. In the final year you hit some direction where you want to go into.
I think itʼs for me that college life is like a long time of doing what you want to do, until the last year. From the teachers part I must say, their concern is not my concern. They have a different focus. Tongji university is quite technical orientated even in architecture, their main concern is - make something, make it practical and make it happen.
And not think of something interesting, deep or crazy and then try to figure our how to present this or make it happen. I nearly could not graduate from university because of my diploma project, Iʼll explain. It was about doing something what I wanted, it was interesting. It was with an Italian designer Aldo Cibic, who is famous in Italy and a old student of Sottsass. This man was part of Venice biennale and he made a good topic on metro lines and Shanghai is planning so much on metro lines so I really like this. In fact he was purposing something to reflect the change of the cities and I came up with idea of Metro lines through research. I think most of the techniques you will have to learn during the real working experience and not actually in school.
I was imagining a lot on metroʼs that it was like a life spot and people can move around city easy between these characters in the city and made collages and concepts things on this. Then they ask what your doing and in the end you just design technical metro station. Itʼs not what I want to do. In the end I designed a shuttle bus to cover the journey between residential area and the metro station which normally is a 10 - 20 min walk distance. In the end they say something and you make a change otherwise you canʼt graduate.ʼ
ʻ Also I must say, it is very...how do i say that, you can only meet 1 or 2 teachers in your life who really influence you in later design life. Most of them are just clouds who pass by, at least thats my view on teachers.ʼ
Q _ ʻYou speak about that the university is so technical, is this everywhere? Are there other universities in China who are more specific towards design, like being more conceptual?ʼ
A _ ʻI think if you say from product point of view that most of them are quite concerned about just the technical part. Making things practical. There are so many stupid things also with this teaching, they are concerned more about the student; when they graduate, how many people will have a job, what kind of job doesnʼt really matter. The university sees it as a task to first find a job, its not that you being inspired by the university.
I think also that half of the teachers are not so interesting, it is a difficult story to say.
Most teachers, especially in design have own companies. So they have already a steady or glory-full job, thats what shows for them as a name card. Let’s go a bit deeper, specially in postgraduate education the students are like cheap labour to their mentor, the teachers hands out the project to their students and profit a lot from it.
I don’t know the situation in Holland but here this really isn’t the good way, at least not for me as designer. They teachers get paid outside school from their projects, the university is like a company. You can be a professor, get nice name card and get paid not from your teaching but from your company work. Itʼs very double.
It is ok to some degree but to me but itʼs about how you control the good balance in teaching. Itʼs not only about how deep you have search in the books but also you should spare proper energy on good teaching. Iʼm very critical to the teaching here maybe I sound like a outsider Chinese (laughs).ʼ
Q _ What do you think we as Dutch designers can learn from the Chinese design?
A _ I mean that is..quite difficult. Maybe not so easy for the good answers. For me itʼs really hard to be a designer in China. The market is so devised. The skill of China is Europe, you can say easy when it is Dutch, Italian or a German design. I mean I can tell it, I can see it in the design but China is as big as europa. It is so big that it is nearly impossible to design in China design style. The designer should have the ability to adept to different levels in Chinese market. You have to work for different markets here to survive. I had to design washing machine in China once for a factory.
Here they have this Twin Top, itʼs different then the European one, itʼs a different design you know, During this research for the washing machine they even wash potatoes in the washing machine, just to try out. There are things to discover in China, its the hard part for the Chinese designer , you have to adept into other areaʼs and this can be really difficult. Its,how do you say that, for example how you deal with interpreter of the company, that is a different story. Somehow they donʼt believe you or just want quick money, or give you bad sample. You somehow have to be very devoted to design or just be a copier or a computer user.
Q _ ʻWhat is your drive then, seeing you still design in China and still have clear opinion on this?ʼ
A _ʼYou can check my website for some of my ideas, for me itʼs very conceptual. Itʼs not commercial, I still want to express and... but I also have to live and do commercial work. When I have time and energy I really will make something that is interesting and that has a meaning. That is reason why Iʼm not working in a company, like a big design company. Lets say you have to work a lot of time and most projects there are nonsense. If you can
live in that environment if the company, itʼs easy to loose yourself. That why I always keep away from this and work rather alone or be a teacher, I do also invited professor work.ʼ
Q _ ‘You studied in Italy, in what way did that effect you’re way of thinking on design?ʼ
A _ ʻWhy I went to Italy? This was, how do you say that. I am more interested in things that are unplugged, without ,things that do not run by electra such as home applications. I think itʼs also a good country to go for education. What I got form that experience? Ok,let me think.. lets say it is two parts. One is, I am more aware of the importance of research during the process. I wanted that experience to get more time in researching and reading.
Part two is, it just gives you a other feeling. Here in China you sometimes feel lack of design but there in Italy you get a overdose, itʼs a other feeling. Design was everywhere in Italy, it was so much you get almost tired of it (laughs). It was very good tho, I visited factories like B&B, Cassina and design friends there. I went there with some academy trips and I found it more interesting. I was amazed by how small the factory is compared to in
China. I find that different then here, itʼs much larger here. Also it is that, yes.. these companies are really design company orientated. There it is more on feeling and being aware of importance of research in the work. They have reasons to exist.ʼ
Q _ What is your view on products here? How do people in China use products? What do they value most in a product?
A _ On the product? They do not value the product (laughs). The product values the people. Lets say, kinda rough that only 5% Chinese people buy a product that they think they should value for appearance. So what it would mean for them. For example the car industry here. The really big cars and real wagon feeling, the automobiles here are economy making but itʼs also changing. The oil price is crazy high but in other things itʼs still the same. Lets say when they buy its not really about what I can get from it, like a connection or feeling but they just buy it because other people have it also. Itʼs about a image the product, yeah.. yeah.. (sighs).ʼ
Q _ ‘Knowing all this, how do you wish to continue in the future then with you’re work, you have any big dreams?’
A _ ʻWell, bigger dreams? Itʼs like..wait, Iʼll tell you what I think about the future. I donʼt know what future it is, it is like a faith and want to liev and work that I do everything with conscience and not regretful of what Iʼm doing. I donʼt say want to say I want a bright future or be super rich or super big but just take life step by step and do it with my best. Also hope that it goes right..ʼ
Q _ ‘When I look at my feeling of safety or fundaments such as the things I feel most comfortable with like my family heritage, local understanding or costumes etcetera. What do you see then as you’re fundaments, heritage, what seem important for you?ʼ
A _ ʻMy heritage? Can you be more specific, you mean like cultural or food ? You eat potatoes right ? Haha, sorry that is a joke. First I think I should like to make the answer into two parts. First its about the word Safety, because I have been to Germany for half year and to Italy and in the Provence and traveled through Europe. Whenever I go there I donʼt have the problem of safety, maybe I am to numb? Or something like that, whatever. I donʼt feel you need a circle around you to protect yourself. I am here in your country and I try to learn and melt myself in with your society.
It is more a Chinese way, itʼs more that sort of thinking. When you go to a new place and you follow it with your own habits you are fine, it is sort of chinese saying (speaks it out in Chinese).ʼ Do you really believe you can get connection with local people in Shanghai then?ʼ
